Feb 19, 2016

waking beauty

Last week I found happiness in Marin County, California. I hadn't felt much happiness in the past nine months. I'd been mired in loss of (if not longing for) love, friendship, and even purpose. As a result (or maybe as a cause), I've been the most hermetical I've ever been. I can count my social endeavors with one hand. I can count the dates I've been on with zero hands. It's not as though I was in a desperate state, but perhaps a stagnant repose of ennui. I was an oxymoronic stoic, feeling the numbness, accepting the unacceptable, making motion of the motionless. Such ersatz projection is in itself ersatz to my being. I've always reveled in embracing the unembraceable, but never taking pride if that juxtaposition expensed my ideals and dignity. I am wooed by the curiosity of my opposite if this curiosity results in new ideas, new risks, and therefore new personal growth. Stagnancy, on the other hand, is an existential pause, a lapse in purpose, an ungrounded conduit suspended in air.

A part of me has been lying dormant for some time. While I continued to create, record, and even perform music, bustle the Portland streets on foot and on two wheels, conduct science experiments and make discoveries -- all the activities that construct my being and my purpose -- it was as though I was the experiment in of myself confined within the boundaries of a dream. There was no tangible to anyone or anything. Every day was both deja vu and amnesia where even the loveliest of dreams seemed inane in the raw morning light. But last week this somnolence awoke with vigor, even if just for a moment, suspended in air.


My southern sojourn last week was extemporaneous, if not ill-advised given my current scientific workload; yet, rather ironically, it made sense for those very reasons. I needed a jarring -- a clamorous sonic -- to awaken from my slumber. And so to heed the taunt of hyper-cheap flights, a Presidential holiday weekend (whatever that's supposed to represent), and an offer by someone to rent my apartment for the weekend, I accepted the last-minute challenge to visit my uncle.

My uncle lives in Sausalito, California. It's a small community of mostly wealthy urban expatiates that tolerate the fair-weathered phalanx of San Francisco tourists in exchange for panoramic hill-top views of The Bay and Golden Gate Bridge, as well as a sliver of reclaimed shoreline to display your (certainly not my) yacht with skillful ostentatious neglect. For me, this was a place to invest time with one of my strongest-bonded family members whilst among a sea of beauty. Literally. Like myself, my uncle is also a bachelor either too picky, too selfish, too unlucky, or (and?) too naive to "choose one" to settle into a family. Unlike me, however, he's nearly sixty years young (which worries my own trajectory in search for a family some day, but that's perhaps a topic for another post). Importantly, we both value exploring our world in spontaneity, experiencing its diverse tastes, and staying out until 3:00 AM if that means stepping down one last lonely street in search of one last lonely, albeit charming story. He's also the only other member of my immediate and extended family to pursue a 4-year college degree, let alone a graduate degree. We are both middle-western, middle-class, above-ambitious iconoclasts in search of a new legacy. And so while I didn't grow up close to him, being separated by both distance and a generation, we've become quite the compatriots in our "old" age. We have a lot in common.

A key ingredient in my soup of happiness for this trip was a sadly abandoned beauty-of-a-bicycle left to deflate in the dust. This is a bike owned by my uncle's cousin (I've researched the genealogical nomenclature on this and I've resigned to keep things simple and just call him my "cousin" as well, despite being removed by a generation). This bike is a machine. It's the most beautiful thing I've ridden. Absolutely gorgeous. And "ridden" is something this bike has regretfully not experienced. My cousin has had it for nearly a year and the odometer has nine miles on it. NINE! To make matters more intolerable, he's now in Italy for a year (not so much the middle-class kind of guy). This travesty is akin to a guy dating a supermodel but never...he never...yeah, well, I'll just say I was happy to give that bike what it was made to do; or perhaps better said, what it wants: to be ridden fast and to be ridden hard.

In two days I clocked nearly 100 miles of bliss. And I mean that: bliss. I'm not one for hyperbole. My respect is hard-earned and these rides unequivocally account for the best two days of riding I've ever done. I had successfully escaped the rainiest winter in Portland (that's both figurative and literal) to glide free among sun-baked golden hills, endless blue horizons, short and sweet kisses of fog, punishing hill climbs (yes, I enjoy that), and a cadence of freedom capable of marching through any fearful obstruction. There was one particular moment I recall in lucid detail: I was tracing the cursive font of an 18% grade, one-way coastal decent when I felt every neurotransmitter left in my body surrender its grip. It was a sloppy chemical torrent. My body tingled, my muscles relaxed, my breath whimpered, and a silent existential scream echoed among my mental canyons. I was awakened.


My trip also included saunters through the heights (Twin Peaks) and valleys (Marina District) of San Francisco, carafes of rare wine (the California Wine Merchant), expositions of past and present architecture (de Young Museum), ghostly swims through evaporated pools (Sutro Baths), and erudite lessons of the East Bay (Berkeley). To think I was there for only 4 days makes this all seem exhausting. And now that I think about it, it was. But that's how one wakes up.

Landing back in Portland has been sobering, if not somnolent. I realize the high of my recent endeavor will subside and I'll likely regress back into a slumber, perhaps not as deep as before, but a slumber nonetheless. Ironically, routine is the most tiresome activity of our lives: it's a distraction from who we are and what we strive to be; it's our excuse for sadness when happiness is ours to lose. But routine, as tiresome as it can be, is also our sanity. It's a form of sleep we need no matter how annoying it may be. I can't live the 4 days of my Bay Area trip every day of my life. It's too much. I'd have no neurotransmitters left to control important functions like breathing and thirst. And it's an impossible proposition anyway because its elixir is in the surprises -- the curing power of spontaneity that splashes our consciousness with a cold flush of reality. But too much of that splash causes hypothermia. Thus, if experiences such as mine are to be "waking hours," then it's also necessary to "sleep" in routine. Routine provides time for integration of our waking moments, and for healing and rejuvenation. This is proven neuroscience. Avoiding sleep is deleterious, even fatal. As is eternal sleep. But 1/3 of my time sleeping with the other 2/3 being awake? Now that's healthy living.



Jan 20, 2016

a new music project in the works

I've decided to record and release a new collection of songs. They'll be of just me playing my guitar and singing -- no overdubs, no effects, no rehearsals, no fancy equipment, and...no audience. But that's why I have you! I'm going to call it "dKOTA - live with coffee and wine in an apartment". There's no need for metaphors for this one. I'll work on it over the coming weeks, recording songs as I see fit, and in the key of my mood of the moment. And of course, with coffee or wine, depending on when I find myself behind the microphone. I'll play old and new songs, traversing what I've realized is about 10 years of songwriting.

When it's all packaged and ready I'll post it up for audio download on dKOTA's website/bandcamp (and maybe even iTunes and Amazon) as an "official" release. Each song will also have a video component as you see below. There's probably no need to share all the videos, but I'll post a few on dKOTA's site and on the dKOTA YouTube channel.
_

Jan 17, 2016

NPR's Tiny Desk contest

I decided to submit a video to NPR's annual Tiny Desk contest. What a treat it would be to earn the opportunity to perform for them (despite having a clearly disheveled appearance after rolling out of bed to record this)!

Moving forward with my music, I think I'll slowly finish and release "polished" songs individually rather than this whole "album" thing, which I think is becoming irrelevant. I think people want to feel more engaged in art and its process, especially after years of art being compressed (and I mean that literally) into digital mediums. And I think releasing songs as they're made, or even as snippets of low-fi recordings from time to time, allows people to get more engaged. Art deserves more engagement and embracing imperfection will allow the subject to experience the organics of art in a way in which they can relate. This is what people are hungry for in 2016. Who sings and performs perfectly all the time (autotune and pitch correction software)? Who looks in the mirror and thinks they look great every day (Photoshop and grocery isle magazines)? Who prefers ultra-glossy films with impossible physics (Hollywood's addiction to post-production software)? And, back to the music, who prefers a bombastic, impersonal, and echoed arena concert to the intimacy of a small club? In 2016, I think people will begin pushing back towards the analog, the imperfect, the personal -- the humanistic.

People don't relate to perfection. If art is pasteurized through digital perfection then people won't relate to the art. And if people don't relate to art, then the creation is just a bunch of sound waves, paint strokes, and images -- nothing more than snapshots of chaos. Art's role is to organize the Universe's chaos into a story; art is the anti-entropy. Perfection is the core story we strive for but will never obtain; hence, imperfection is our humanistic attempt to make sense of the perfection we can't know or possess. We must start incorporating and celebrating our humanistic rough edges in the art we create. And in science. And in politics. And, ironically, in religion. This will be the subject for an upcoming blog entry. Art is our analog technology.

But for now, a rough and imperfect Sunday AM version of Heaven From Here. I hope you enjoy it. Wish me luck with NPR!

**update: i've since deleted the video because i've finished and released the live album [see above] / but below is the final audio version of the song i submitted to NPR's Tiny Desk [here's a little secret though: i didn't win anything...but you know, that was expected - it was fun to take part]

Jan 1, 2016

the day is done

Today I extemporaneously carved my way through a snow-spired Coastal Range to drink some beer and watch surfers. And there was a sunset. And I thought of nothing at all.

2016 has been a pretty good day thus far.



Dec 31, 2015

d.J presents >> moon.light_

Why make only one mix when i can make two in twice the time? This is precisely my rational thinking. I had so much music archived from the last year that i couldn't just leave things with one mix (the star.light_ mix below). And so to close out 2015, I saved the best for last: moon.light_

An appropriate name, I thought, this work is more luminous, more inertial than its dusky, more bashful cousin, star.light_. moon.light_ is about marrying individual tracks -- formidable tracks, at that -- that simply belong together; indeed, I was playing matchmaker with my digital wands to fuse 120 minutes of disparate waveforms into one sonic amalgam. And I must say, I created a behemoth. This is by far my most accomplished mix/production. In fact, the final 20 minutes of this mix throttled my current abilities to the red line as I sought to fuse three, even four different tracks into one dopamine-depleting crescendo. And I think I pulled it off. I couldn't be happier with the final result.


I've been obsessed making these mixes lately, especially moon.light_ -- absolutely obsessed, even manic. I've been burning the midnight oil (or 2:00 AM petroleum-based candles in my case), losing sleep, and consternating about a specific frequency gate for a vocal line or a microsecond of syncopation for a proper overlay. I'm exhausted but there was so much release for me in making this (and thanks to a quiet, rather alone holiday season and an academia-based work schedule, I was able to get away with this). The energy in the final sequence is unapologetic. It's very "me," nicely translating all I have to say, reflecting an intensity that's built up in a swirl of confusing, yet still hopeful and aspiring emotion over the past year -- much like the swirl of aspiring tracks that were lying imprisoned in a "mix someday" iTunes folder. Working with the tracks in moon.light_, each unique and among my favorites from 2015, allowed me to make something whole from a scattered array of waveforms.

And so I am myself again. I am whole. I am the fused parts of many, a lattice of chemistry, biology, physics, ideas, and waveforms. There was real therapy in mixing these, especially since the dKOTA front has been quiet for me lately (something that I hope doesn't continue much longer). Creating music is an integral part of my identity. Whether a softly-strummed love song from my guitar or a digitized neurotransmitter assault from my computer, making music amalgamates the disparate noise of my human experience into a language that I can understand and speak fluently. I look forward to the conversations of 2016. // Enjoy_

[stream and DOWNLOAD links are below // album artwork is above]
click here >> free DOWNLOAD [the file is large so Google will warn about a scan, but i assure you: it's just a long MP3 file // all is safe and clean from my end!]
_

Dec 25, 2015

a christmas carol

well, it's not a Christmas carol / thankfully / but the new songs continue to pile up and i thought i'd share a raw take for this Christmas eve (as in, this evening of Christmas Day) // it's been a lovely holiday of digitally-assisted gift exchanges-at-a-distance, a DRY bike ride, and now some candlelight demo recordings // all is peaceful_



Something From Nothing from dKOTA on Vimeo.

Dec 23, 2015

d.J presents >> star.light_

It's been over two years since I've made an electronic mix, and now, finally, I'm happy to present 96 minutes of my best-curated, crafted, and designed electron pulses that I've titled, star.light_This is a mix unlike what I've done before: it's gritty; it's dark. And yet, it's still blissful in spots, like finding a silver dollar half-buried in the refuse of a city curbside. These are mostly tracks I've accumulated throughout 2015, right up to a track I discovered just last week (the antepenultimate track, and perhaps the eponymous kingpin of a "beautiful grit" sound). I decided to neglect some of the more aged tracks I've found since my last mix in 2013, focusing mostly on what's newer and fresh.

With star.light_ I delved into producing the tracks (albeit modestly) in addition to mixing them. I wanted to try and blend salient elements, whether a bass line, a piano, or a particular sonic aesthetic in ways that accentuated a continuous story that was being told. In order to do this, I had to get more involved in the tracks and actually change them. Sometimes this was simply because I wanted specific tracks to be married together despite them being in vastly different keys, rhythms, or complex syncopations. Doing so required some sonic surgery to weld the pieces into one.

Worth noting, I often encounter surprise when revealing my love for electronic music given the acoustic roots sound of my dKOTA project. I will always have a dear place for the singer-songwriter sound that defines my core. This is who I am and I intend to continue crafting such music. But I revere electronic music because it's the only genre pushing the edges of sounds into the sphere of "music;" it's the only modern genre that captures an uninterrupted hypnosis for over an hour to tell a story; it's the only genre that I find capable of taking me on an intellectual and emotional ride; and it's the only genre that is created by artists for other artists (such as a lowly "DJ" playing around with Ableton Live in his spare time) to craft and reimagine in new ways. Indeed, these songs are actually produced and released with this purpose: to be recreated into the stories of other people's mixes. It's as though the visitors to an art gallery are given brushes and paint, and asked to reimagine the works on the walls into their own interpretation (something I've actually thought would be a great art show...). The final creation is something made by everyone, yet not made by any one; it is true kinship of collective artistry. Alas, electronic music is a whole greater than its sum.

Despite how all that comes across, I'm not to be taken too seriously with this. It's just a music mix I made for fun -- something I've done since I acquired my first tape deck in first grade. This is not a perfect, or even professional mix. But I'm also not a deejay or an electronic music producer. I'm simply a passionate person, and I write in passionate character. In the end, I get a great deal of satisfaction wielding the digital levers to commandeer sounds through my (fancy new!) computer, and I enjoy sharing the story I've created. And speaking of sharing, I should mention this mix was made on behalf of a beloved friend of mine, Christina. Her and I share a similar enthusiasm for this sort of music -- something that's rare (at least in America) -- and star.light_ was crafted with her in mind as she celebrates the inauguration of her 40th year of life. I hope this soundtrack captures the bliss among the textured grit we've all experienced over the years. Enjoy.

[stream and DOWNLOAD links are below // album artwork is above]

click here >> free DOWNLOAD [the file is large so GoogleDrive will probably ask twice before you download, but i assure you: it's just a long MP3 file // all is safe and clean from my end!]
_

Dec 20, 2015

the welcoming hallows of an approaching winter

I went for a bicycle ride today. It was perhaps the only dry day this December, let alone dry day on a weekend. It was beautiful. I pedaled until my feet went numb. Literally. It was just cold enough for my feet to go numb after a couple hours of riding. This is something that happens to me easily. Oddly, the remaining portions of my body often keep warm, even hot and damp with sweat, yet my toes become lost with their own frigid agenda.

The image below is of Portland's newest bridge spanning the Willamette River, the "Tilikum Crossing". Tilikum is the Chinook word for "people". Being exclusively a pedestrian and public transit bridge, I suppose it's a fitting name.

Today was happiness. The sky was patched with weightless white clouds floating upon a liquid blue canvas -- deep and cold, just as the approaching solstice is requesting. Indeed, there was a struggle today between the light and the dark.

I rode about my miles listening to podcasts that investigated the mysteries of the human brain, the science (even mathematics) of love, and what it means to be "successful" (hint: it has nothing to do with a career). This is in stark contrast to my usual bike ride soundtrack: a euphoric electronic mix. Evidently today's soundtrack was not of music, but of conversation. Also in stark contrast to my usual rides, I took it easy, taking time for pictures and smiles instead of grunts and sweat. I was in search of warmth among cold, light among dark, smiles among tears.

Today, I was a ghost, sifting across 40 miles of Portland, Oregon -- untouched, unnoticed, and unhinged. I borrowed its fresh air, its narrowed two-wheeled pavement, its bashful beauty, and its hapless blemish of soggy roadside litter. Toes numb, mind afire, it was a day to be invisible. Untouched. Blissful as a ghost, I was guilty of spooking the halls without staying to haunt.

I borrowed from your light, dear Portland, please forgive me. But I captured you, like me, an amorphous spirit in disguise, a tender soul only truly spooked by your own reflection. Indeed, we are failed ghosts, only capable of haunting our own home. We scared no one today but each other. And we will scare no one tomorrow but ourselves.




Dec 7, 2015

of axons, hearts, and protein tyrosine phosphatase σ

My first publication as a postdoctoral researcher is now available (linked below). It's a small paper, but not bad for seven months of work. And it's in a good journal, so I'm happy.

Now on to the real show: grant writing for a long-term fellowship, due January 15th. This will be my holiday. 'Tis the season.

PDF >> HERE
PubMed link >> Johnsen D, et al. 2015

update: looks like i'll be going for an NRSA april deadline to allow for stronger prelim data -- all for the better // and perhaps a more relaxed holiday for me to make some new electronic mixes with my fancy new computer...

Dec 6, 2015

the pastel painter

i miss her so much. i hate being human sometimes. i just hate it. sometimes there's so much pain. perhaps i should have been a plant to grow tall and sway in the spring breeze, or a rock perched high above to watch sunsets for millennia while silly humans come and go with their religions and their wars, their violence and their feigned kindred. humans don't make sense to me. yet, i am one. and sometimes i hate it. i relate to stories i read where transgendered people feel trapped in the wrong body. i feel trapped in the wrong species. sometimes i don't want to be this. it's not who i am. i just don't relate to these creatures.

except for love. there, i relate all too well. why couldn't i just relate to tool use, or language, or social interaction? but alas i relate to love.

i miss her so much. i want surgery that removes whatever cancer is in my brain causing this love syndrome. it's always been so much hurt; it's always just "almost;" it's always an arrival ready for departure.

and so i've failed. i don't want to try again. can these humans live alone? i feel like i should know because i'm one of them. but i'm naive, and i'm alone. i don't want to care, but i do. i want to be immune -- unaffected by this pathogen. stoic. safe.

i learned recently she's doing exactly what i thought she needs to be doing. and that's so beautiful. i'm so proud of her. the strength she employed and the risks she took are admirable. she'll grow into something even more beautiful. and that makes me so happy. and yet, i'm so sad -- sad because of the finality. she's gone. that's the twisted irony: her happiness is my loneliness. indeed, that's selfish of me but it's how i feel nonetheless.

i want to be a rock, perched high above for no one to see, no one but the pastel painter hiding among the clouds, quietly painting his sunsets for the few humans that resign to look up. now there's an entity with whom i can relate. why couldn't i have been a pastel painter? instead, i am a loving human being.

please, make me immune.